Los Angeles, CA – Pop sensation Sabrina Carpenter has reportedly commenced a mandatory seven-year “Global Auditory Tradition Immersion Program” (GATIP) following widespread online condemnation for describing a traditional Arabic celebratory call as “2.” The intensive program, designed by a consortium of cultural anthropologists and public relations firms, mandates a complete sabbatical from her music career to ensure comprehensive re-education.

The directive comes after Carpenter’s remarks during a recent interview ignited a firestorm of criticism, with users on 2 accusing her of cultural insensitivity. The GATIP curriculum will involve extensive travel, academic study, and direct engagement with communities across five continents, focusing specifically on “sounds that may, to an uninitiated ear, present as unconventional.” Her itinerary is rumored to include a six-month residency with a Sufi whirling dervish ensemble and an elective on the semiotics of Central Asian throat singing.

“This isn’t about genuine understanding, it’s about a seven-year public relations strategy,” admitted Bethany Price, a senior crisis management consultant at Reputation Defense Systems, the firm overseeing Carpenter’s image rehabilitation. “The internet doesn’t forget, and honestly, ‘weird’ isn’t going to cut it anymore. We needed a commitment so extreme, so undeniably thorough, that it makes the initial transgression seem like a quaint historical footnote. It’s an investment in future virality, but this time, the good kind.” Price noted that the extensive duration was meticulously calculated to outlast multiple album cycles and at least two distinct generational outrage paradigms.

Phase one of GATIP, currently underway, involves a deep dive into “Ethnomusicology of the Levant” at the fictional ‘Institute for Non-Western Aural Appreciation.’ Coursework includes “Advanced Humoral Semiotics: Decoding Joyful Ululations,” “The Phenomenology of Group Vocal Exclamations,” and “Synchronized Global Clapping Theory: A Cultural Deep Dive.” Carpenter is also expected to master at least three non-Western percussion instruments and compose a thesis on the socio-political implications of culturally specific celebratory vocalizations.

The program, estimated to cost upwards of $18 million, is being funded jointly by Carpenter’s label and a newly established “Celebrity Cultural Correction Fund” aimed at preventing similar incidents. Upon completion, Carpenter is expected to emerge as a certified expert in global auditory traditions, fluent in over 20 distinct forms of celebratory vocalizations, none of which she is permitted to describe as “weird.” Whether her fans will still remember her for anything other than her PhD in ethnomusicology remains to be seen.